Jan Maher

Fiction and plays about the extraordinary lives of ordinary people

American Fiction Awards Winner 2018 - LBGTQ


Kirkus Reviews 2017 - 100 Best Indies, LGBT


The Great Midwest Book Festival
Winner - General Fiction
Festival Grand Prize Winner


Earth As It Is


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Featured Review: Kirkus Reviews (starred)
"A small-town hairdresser is not quite what she seems in this novel of life under cover."


A small-town hairdresser is not quite what she seems in this novel of life under cover.

Charlie Bader, a dentist living in Dallas in 1933, is happily married until his wife catches him lounging in her nightgown doing his nails. She runs off to New Boston, Texas, to train for missionary work in Africa. He relocates to Chicago, where he finds a circle of secretly cross-dressing men—most of whom, like him, are staunchly heterosexual—who give him fashion advice, invite him to drag teas, help him cultivate a high-pitched lilt, and call him “Charlene.” But Charlie’s life is still lonely, as he feels unable to approach a woman, for fear she will discover his hidden passion and reject him. After a stint in the
U.S. Army during World War II, he emerges feeling even further alienated from his manhood. He goes to the town of Heaven, Indiana, to live as a woman, use well-honed makeover skills to open a hairstyling and manicure salon. Charlie’s perspective shifts from studying womanhood through the eyes of a man to connecting more intimately with it through the lives of Charlene’s customers. Her beauty shop becomes a gathering place for the ladies of Heaven to trade gossip, hatch plans, and share confidences with the always sympathetic and discreet Charlene. She initially basks in Heaven’s seeming quiet and orderliness, but tension builds as she falls in love with a customer, knowing that she might be run out of town if she voices her feelings.

Maher (Heaven, Indiana, 2000, etc.) treats Charlene’s story with sensitivity and nuance, letting it entwine organically with the life of the town that first appeared in her previous novel. Charlie’s early exploration of femininity is portrayed as less sexual than sensual, consisting of a fascination with elegant outfits, perfectly poised manners, and the seductive tactile pleasure of women’s clothing: “The silkiness felt exquisite and forbidding, soothing and terrible, comforting and dangerously damning.” The author’s limpid prose also captures the subtleties of women’s lives, from catty fencing —“Elizabeth Tipton had a way of complimenting you, Minnie thought, that almost made you feel like she didn’t take you seriously”—to a 10-year-old’s clumsy stabs at sophistication to the exasperated kindness of a daughter caring for her parents. The writing is suffused with deadpan humor but resists caricatures; Charlene balances her furtive yearnings with sober restraint, and her customers aren’t small-minded yokels, but complex, curious people who are willing to expand their horizons. Heaven is
a richly textured place of church socials, quilting and pie-making contests at the county fair, and neighborly help for families burdened by sickness and age. But there are darker elements, as well, such as a con man who threatens to expose Charlene, and a mystery involving a teenage girl who died after giving birth to a now-missing child. In Maher’s tapestry, the unconventional, even subversive, impulses of misfits and “ordinary” folk find a place in a convincing whole.

A quietly luminous tale of folksy gender-bending that’s entertaining and authentic.

Featured review: Publishers Weekly
"The story is transportive."


Publishers Weekly, 00000019, 11/​14/​2016, Vol. 263, Issue 46

Earth As It Is Jan Maher. Indiana Univ., $20 trade paper (276p) ISBN 978-0-253-02404-6 Maher’s debut is a satisfyingly complex character study exploring gender identity in the postwar Midwest. Charlie Bader has always been drawn to the softer textures of women’s clothing—a shameful secret that, when he was a young man, cost him his marriage. In 1933, Charlie leaves small-town Texas for Chicago, where, for the first time, he dares to venture out in public as a woman. He finds kinship in the Full Self Sisterhood, a secret organization of like-minded individuals—some of whom live fully as women, others who dress up only recreationally. Traumatized by the horrors of World War II, Charlie returns from Europe resolved to shed his masculine identity and live full-time as a woman. As Charlene, she opens a beauty salon in the small town of Heaven, Ind., where she’s welcomed with open arms. For 18 years she manages to keep her secrets hidden— not just the fact of her biological sex, but also the secret love she harbors for her best friend. Maher deftly navigates Charlie/​ Charlene’s dual identities and vividly captures a complex inner struggle, but while Heaven shows a lot of promise as a setting, the rest of its residents feel more like caricatures of small-town Midwesterners. A stronger supporting cast might have made Charlene’s journey feel more vivid; still, the story is transportive. (Feb.)
Copyright (c) Publishers Weekly PWxyz LLC. Used by permission.

Selected Works

Fiction
Victor and Claire, about to be ex-spouses, find themselves stuck in an elevator on the way to meet with their attorneys. Then the lights go out.
Charlie/Charlene Bader is a heterosexual cross-dresser who struggles through the humiliating break-up of a marriage, migrates to Chicago during the Depression where s/he discovers a supportive community of cross-dressers, serves as a dentist in World War II, and ultimately ends up in a small town in Indiana, living as a woman and working as a hairdresser. Her life becomes complicated when she realizes she has fallen in love with a customer who does not know of her male identity. "Transportive" - Publishers Weekly "Deserves a place on library shelves." - Booklist Kirkus Reviews 100 Best Indies of 2017
One hot week in August 1954, in Heaven, Indiana, a baby is delivered twice: once in a barn by her grandfather, the second time to the tent door of a carnival fortune-teller by her grandmother Helen... "Once I started reading Heaven I couldn't stop reading and thinking about it…Maher's work is…richly evocative, both rooted and visionary." - Susan Koppelman "This little bit of Heaven…leaves us wanting more." - Wendy Fawthrop, Seattle Union Record
"The woman he is looking for now is the one who can call him Bob, or even Baby, without offending him. Where is she? He opens the refrigerator. Not in there. He closes the refrigerator. It’s the refrigerator they bought the day that plane blew up over Scotland. That was on the news when we brought it in and…there’s something else he is trying to remember." - See more at: http://www.persimmontree.org/v2/fall-2010/turn-turn-turn/#sthash.F1ECMbi5.dpuf
Theater
"An extraordinary assemblage of women speak about war and peace. They speak in clear and compelling language, often with song and poetry, and what they tell their audience both educates and inspires. If Most Dangerous Women were performed in schools across the country, we might well see a new generation of young people dedicated to ending the scourge of war." - Howard Zinn, Author of A People's History of the United States
Theater
MYRNA: I'll admit the knife seems real. But many dreams have a quality of intense reality about them. INTRUDER: So how do you know whether you're alone dreaming I'm holding a knife to your throat or whether I'm holding a knife to your throat while you dream of the possibility of being alone? MYRNA: The old butterfly/man dilemma. INTRUDER: The very one. MYRNA: What if we are both alone dreaming each other?

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