Laila Abou-Saif, Ph.D.
Arab Media Expert



'A Bridge Through Time' is compelling and humbling. The writing has a sparkling clarity that illuminates the lives of Laila's family and the temperament of Egypt. She tells her story of courage without emphasizing her personal danger.


-- Elmaz Abinader, Literary Quarterly, Sep 23-29, 1993

Middle East Journal, Vantage Press, June 2002. Now available in various bookstores, including 'Mostly Books' in Tucson, Arizona.

Biography

Excerpt from 500 Great Books By Women: A Reader's Guide, Peguin Books 1994. ed Erica Bauerimeister, Jesse Larsen and Holly Smith, pp. 373-74:

The contrasts in Laila Abou-Saif's life are many. Born and raised in Cairo, she grew up in a family that valued education for both men and women, and arranged marriages for their children. After her college graduation she endured a seven-year marriage to a man chosen by her family. An Arab woman raised in the Coptic church, a Christian minority in Egypt, she developed an awareness of all the citizens of her country and began to question the true costs of the ongoing religious war with Israel. During a performance for injured soldiers in Cairo, where she taught theater at the Academy of Arts, she realized that "in order to reach the masses, Egyptian theater must retain its indigenous roots, must remain visual, physical, and musical." Using this insight, she put herself at odds with the politicians in power by challenging the government's actions in her productions. During the forty days of mourning the death of a family member, in seclusion with other women, she was inspired to film a documentary on Egyptian women. When the finished film was shown in New York City, its feminist approach threatened and angered many Egyptian officials, who retaliated by denying her access to local theaters. Despite her experiences, Laila Abou-Saif's love of her homeland is consistently felt throughout her autobiography as we come to know this vulnerable yet determined woman, honest about her faults, and committed to her beliefs.

Spring 1986, Jing Lyman, Lectures Stanford University, Rm 290.
Sponsered by the Graduate Women's Research Network.

University of New Haven "Insight" January 1986 Volume 8, #2

Middle East Journal, is now available in a new edition,with an introduction which deals with the events of the Arab world, after the September attacks in 200l.


"Creating A Theatre of the Poor at Wekalat al-Ghouri in Cairo", The Literary Review,London: June,l982.

" Theatrical Movement in the Arab World", in Theatrical Movement: A Bibliographical Anthology, ed. Bob Fleshman, Louisiana: Scarecrow Press,l985.
This article traces the manifestations of comedy and drama in the Near East since ancient Egyptian times,through the sixties. An important source for researchers.
"Najib al- Rihani, from Buffoonery to Social Comedy", Journal Of Arabic Literature,vol.4,l973
This article documents Rihani's rise from the comic cabaret skits of the early twenties to his full blown social comedy of the late forties.
e.g. Fiction, History, Magazine Articles, etc. goes here
"L,Arbre de la Misere”, Le Monde, Paris : May l8,l982.
This article describes the critique of polygamy in the famous novel by Taha Hussein,the internationally known blind novelist of Egypt.
Nonfiction/Memoir
A Bridge Through Time
"Honest, Irresistible."
--Gloria Steinem
Nonfiction/Middle East Politics
Middle East Journal: A Woman's Journey into the Heart of the Arab World
"The pages emit the heat, dust, and calls from Cairo's minarets, making the book a worthy acquistion."
--Booklist

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