• XU XI •
author - editor - writing coach

Evanescent Isles (2008)
An unusual book of quirky essays, written 'from (her) city-village' — about Hong Kong's vanishing culture and sensibility as it transforms into a space that is 21st Century China. Zooms in on her life: on family, friends, and a professional history as both business executive and author, to focus on moments that offer wry observations of the shifting world around her. There is truly no other book like it.

Overleaf Hong Kong (2004)
For millions of wah kiu or "overseas Chinese," life beyond China’s borders is fraught with questions of identity. These eleven stories and thirteen essays take us round the globe, exploring the joys, fears, idealism, disappointments and dreams of the wah kiu. One critic describes the author's sensibility as "keenly observant, generous and compassionate," while another says her "unparalleled literary reach touches several continents with a new and innovative diasporic global language." This is the first collection to include essays.

The Unwalled City (2001)
The time is 1995. Life is surreal, swift, out of control as Hong Kong rushes towards that inevitable moment, the "handover" to China in 1997. Here are four lives in a changing world, in a city that is global, contemporary, and very much "home" to Chinese and Americans alike. THE UNWALLED CITY conjures an extraordinary feeling of place in a book that one reviewer says is filled with "believable characters that are fully human in their inner contradictions and complexity" and another calls "truly a novel of Hong Kong." Like the city itself, each of these native, and accidental, Hong Kong "yan" must leave behind the memory of what was in order to accept that which inevitably will be.
(China Institute of New York Book Club selection)

History's Fiction (2001) 2nd edition, 2005
From the turbulent sixties through the nineties, a "history" of Hong Kong through fiction. Stories from each decade feature historical incidents but the focus is on personal lives. Critics and other writers praise the collection as "immensely gratifying . . . from a truly international writer" and "probing . . . weaving together East and West across time and space" as well as being "a compelling history between the sheets" that "contains the kind of complexity and inter-connectedness of Hong Kong itself."

Hong Kong Rose (1997) 2nd edition, 2004
October, 1987. Rose Kho, Hong Kong girl who left home, returned and has left it again for New York to escape her marriage, reflects on life, scotch in hand. The sun sets on the Statue of Liberty, while her employer’s premises are being searched by the Feds; they are under investigation for illegal arms running. The novel rewinds through a drama in Hong Kong of the seventies. Set against the Asian and international airline world, Hong Kong Rose was a bestseller in its hometown upon publication. This new edition reinstates an important work that boldly tackles courage, cowardice and compromise in modern Asian society

Chinese Walls (1994) & Daughters of Hui (1996) 2nd edition, 2002
CHINESE WALLS (Novel 1994)
It’s the sixties. U.S. sailors on R&R prowl the streets of the waterfront in Hong Kong where the Indonesian-Chinese Hsu family lives. "What’s a prostitute?" nine-year old Ai-Lin asks her older brother Philip who is horrified she knows the word. Eldest brother Paul tries to explain about the girls with the "orange hair" Ai-Lin has seen next door at Chung King Mansion. Written in the first person, the book, according to one reviewer, "leaves no cheap or smutty aftertaste," and is "like listening to a close friend talking about her life, her family, her love and her frustrations." This controversial first novel launched the author’s career in Asia.

DAUGHTERS OF HUI (Novella/Stories 1996)
This collection of a novella and three stories was named one of the top ten "best books of Asia" of 1996 and won wide critical acclaim. Reviewers say the author "addresses the prudery of Confucian values" and remark "the streak of mischief in the tapestry of her story line." Others note that "though the subject matter can be raunchy, the sleaze element is conspicuously absent," and also that her work is "arrestingly poignant."

Fifty-Fifty (2008)
Bring together more than forty talents writers and poets, Fifty-Fifty is a collection of daring creative responses to the question posed by editor Xu Xi: What are Hong Kong's odds as it counts down 50 years of the S.A.R.? (Special Administrative Region)

City Stage (2005)
Edited by Mike Ingham & Xu Xi
Hong Kong University Press, 2005

An anthology of recent Hong Kong English-language drama. All the plays were written in the last ten years and so capture and reflect the fast-developing multiculturalism of the Hong Kong scene -- a somewhat paradoxical phenomenon in view of the 1997 return to China Mainland sovereignty.

Thematically, all the plays have their unique voice and subject-matter, but the quest for personal and communal identity is a theme goes to the heart of all present selections. The anthology epitomizes the increasing interconnectedness of previously segregated facets of Hong Kong culture, indicating the very welcome tendency towards more open dialogue between Chinese and non-Chinese practitioners and audiences.

The anthology contains the complete texts of the shorter plays and strategically selected excerpts from the longer plays. All the texts in this collection were written as English-language versions for performance rather than literary translations, although for some a Chinese-language text was also written.

CITY VOICES (2003)
Edited by Xu Xi & Mike Ingham
Hong Kong University Press, 2003

The first showcase of postwar Hong Kong literature originating in English. Fiction, poetry, essays & memoirs by over 70 authors.

"Poignant, gorgeous, stunning, disturbing, exhilarating writing" (Arthur Sze)

"This most necessary and wildly ambitious collection is as boisterous and packed with voices as a Hong Kong steet" (David Wong Louie)

"An anthology collected by two who are themselves literary pioneer" (Bino Realuyo)

"Hong Kong has a soul and this anthology proves it" (Robert H Abel)